Saturday, December 31, 2011

2011: Year in Review

Time to look back at 2011. Even in my advancing age, or perhaps because I didn’t spend a hundred some odd night in a city devoid of concerts, I was able to increase my total number of attendances, from 19 events in 2010 to 27 in 2011, including 21 concerts, 4 single day festivals, and 2 multi day festivals, bringing my average up to an event every 13 days. Twelve of these shows were sold out.

Again, I saw more shows in the DC area than anywhere else (23), with 9:30 Club (8) still being my venue of choice. Other DC area venues such as Merriweather Post Pavilion (4) and Black Cat (3) were also popular as well as the new Fillmore Silver Spring with two even though it only opened in September. Only four events took me out of town to Manchester, Tennessee; New Orleans, Louisiana; Philadelphia, Pennsylvania; and Camp Hill, Pennsylvania.

I saw more shows on Saturdays than any other (7), but Wednesdays (6) and Thursdays (5) were close behind. I saw at least one show on every day of the week. September was the leading month (5), including three shows in three days, the only time all year where I attended shows on sequential days. There were also four in both March and October. November was the only barren month.

Including all the bands that I specifically remember seeing, and therefore wrote about, I saw a total of 66 bands this year. This included 22 acts at single concerts, another 22 at the Bonnaroo Music Festival (my third year in a row to the festival and fourth overall), and 28 at other festivals. This excludes opening acts that I don’t remember the billing. I also saw several bands twice, including Alison Krauss & Union Station, Arcade Fire, The Black Keys, Chromeo, and Cut Copy. Chromeo was the only band in which neither event was a festival. I also saw good ole Club Scout thrice.

Concerts are always more fun with friends, and I was able to convince someone to come with me to every concert. Jeff Schiz attended more with me than anyone else with 6 shows. An additional 13 people attended two or more with me.

And of course, total ticket cost was $1,099.

Wednesday, December 14, 2011

Beirut, 9:30 Club, Washington, DC

It’s even better when you know you can go home and listen to it all over again

After sliding my way up on the far left side as far as I could at the 9:30 Club as I always do, I noticed signs around the club that NPR was at the show and would be doing a live simulcast of the performance for their listeners, as well as make the show available for later download. A show is even better when you know you can go home and listen to it all over again. Beirut took the stage around 9:15. I was blown away by how powerful the horns sounded from 9:30’s relatively small stage, as compared to what comes through on their album or from a larger festival stage. Combined with singer Zach Condon’s ethereal voice, they had much more of a presence on stage than the subdued sound on their albums would have led me to believe, proving they were as worthwhile listening to in a packed club as they were on a lazy Sunday morning.

A little bit unusual for a band touring after releasing a new record, they only played four songs from their new, more mainstream indie rock album, The Rip Tide. Instead, they played selections from nearly all of their albums and EP, drawing heavily from the more Čoček-influenced Gulag Orkestar from 2006 and The Flying Club Cup which followed a year later. While it was a great show, my only gripe was that it was a bit on the short side; the show on NPR only ended up being about 71 minutes. However, on a weeknight when you have a long drive back to Baltimore, ending early isn’t a terrible thing.

The download for the show can be found here.


Set List:
Scenic World
The Shrew
Elephant Gun
Vagabond
Postcards From Italy
The Concubine
A Sunday Smile
Santa Fe
Forks and Knives
East Harlem
Nantes
Goshen
Cherbourg
After The Curtain
Mount Wroclai (Idle Days)
The Penalty
My Night With The Prostitute From Marseille
The Gulag Orkestar
Siki Siki Baba