Tuesday, December 31, 2013

2013: Year in Review

My total attendance fell by a few shows to 23 as compared to my 2012 total attendances of 27, including 18 concerts, 1 single day festival, 3 multiday festivals in which I only attended one day, and 1 multiday festivals in which I attended each day, bringing my average down to an event about every 16 days. As far as I can confirm, only five of these shows were sold out, which is a lot less than last year, so I suspect that there were many more sold out than I realized.

Being my first full calendar year in Chicago, I saw more shows in the general Chicago area than anywhere else (19), including most within the city itself though also a show each in nearby Aurora and Bridgeview. Unlike in DC, where I saw a significant number of shows at the 9:30 Club, I visited a total of 15 separate venues in Chicago this year, not visiting the same venue more than twice. I saw additional shows in Killington, Vermont; Manchester, Tennessee; and New Orleans, Louisiana.

Unlike previous years in which I saw at least a show on every day of the week, I did not see any live music on any Mondays this year. Friday (10) was the leader, followed by Saturday (7) with no other day registering more than three events. The year was strangely weighted to a lot of shows in the latter part of the year, such that nearly three out of four of the events took place in the second half of the year including four each in the months of July, October, and November. These were all also months when I was not abroad at all, which certainly makes it easier to attend. February and May, months were I was gone a significant portion of the month, were barren.

Including all the bands that I specifically remember seeing, and therefore wrote about, I saw a total of 61 performances by 59 artists, seeing Björk and Trombone Shorty twice each. Of those, only 21 were artists that I have seen before; the remaining 38 were artists that I was seeing for the first time. This included 20 acts at single concerts, another 32 at the multiday Bonnaroo Music Festival, (my fifth time attending), and 9 at other festivals.

I still don’t have a broad group of concert attending friends to pull from in Chicago, so in the interim, Lindsey (16) gets dragged to more shows that she would otherwise attend on her own. I also attended three events on my own. No one else surpassed that number.

Total ticket cost of $1,124, an average and median of $49 and $38 per event, respectively.

More than half of my favorite sets of the year, as follows, were at Bonnaroo, all of which were the first time for me.
  1. Frank Turner (Vic Theatre, Chicago)
  2. Paul McCartney (Bonnaroo)
  3. Japandroids (Bonnaroo)
  4. Of Monsters & Men (Bonnaroo)
  5. Postal Service (Lifestyle Communities Pavilion, Columbus, Ohio)
  6. Cloud Cult (Lincoln Hall, Chicago)
  7. Twenty One Pilots (Bonnaroo)
  8. Phish (Northerly Island, Chicago)
  9. Alt-J (Bonnaroo)
  10. The National (Bonnaroo)
Honorable Mentions: Amadou & Miriam (Bonnaroo), Bjork (Bonnaroo & Pitchfork), Delta Rae (Bonnaroo)

Tuesday, December 10, 2013

Andrew Bird, Fourth Presbyterian Church, Chicago, Illinois

Multi-instrumentalist and Chicago native Andrew Bird often plays churches each holiday season, including a sold out four night run this year at Fourth Presbyterian Church in the Magnificent Mile neighborhood of downtown Chicago, for which we had tickets to the second night.

The church is large, though not as massive as many churches that I’ve been in before. The Gothic Revival structure celebrated its one hundredth birthday last year and is listed on the National Register of Historic Places. The event was held in the main chapel, a long grey stone sanctuary with sweeping ceiling lines and gothic statues. Above the altar are several long stain glass windows. The entire altar/stage was bathed in warm red light. I’m not quite sure how the seats were delegated, but we lucked out with ours in a close section, not far from the center and relatively close to the stage, perhaps two dozen rows from the front. Actually, I think even being a little further back from where we were would have provided improved acoustics. I wondered if the content rather than just the context of the performance would be different in any way based on the location of the performance. I guess I’ll have to see him a second time to compare.

For his show, Andrew Bird outfitted the stage with dozens of gramophones, including four large ones (about two feet in diameter each with a pair on either side of the stage), many small ones lining the altar, and a large and small pair of spinning double gramophones. Depending on the song, he would turn their rotation up or down. The rates of spin would creating an echo/warbling effect to varying degrees based on speed.

Andrew Bird took the stage about 9pm. He was alone on stage the entire show. I thought that he would have some semblance of a backing band, at least for part of the show, so I was a bit surprised.
He mostly played the violin and sang, though he also whistled and occasionally played the guitar and glockenspiel (the German name for a xylophone made of metal). He mixed everything himself on stage, for example looping himself picking on the violin and then playing something else with a bow on top of it. Most of what he played was not significantly technically challenging in and of itself. Rather, it was the way that he layered one sound on top of another to create a complex, rich, and orchestral sound. His setlist pulled from much of his catalogue, including a pair of songs all the way back to Swimming Hour (2001) and multiple selections from his newest releases, Hands of Glory (2012) and I Want to See Pulaski at Night (2013).

Setlist:

Hover I
Hover II
Ethio Invention
Why
Action-Adventure
Lit from Underneath
Plasticities
Three White Horses
Pulaski at Night
First Song
Waiting to Talk
Cathedral
Give It Away
Orpheo
Happy Day
Dyin' Bedmaker
Frogs
Danse Caribe
If I Needed You
Weather Systems