Wednesday, March 30, 2011

Cut Copy & Holy Ghost!, 9:30 Club, Washington, DC


The hipsters came from far and wide to see the fun synthpop band

I walked into the venue with opener electropop duo Holy Ghost! already on stage. I had recently heard of them and figured they’d be a good way to start off an evening. Their high energy and carefree beats got the crowd dancing even as the night was young. The crowd was on the young side and damn were there were a lot of hipsters. Guys in skinny jeans and girls in ironic trucker hats everywhere. And lots and lots of plaid. Scanning the crowd, I attempted to position our group as close to the stage and adjacent to the biggest group of hipsters that I could find. I figured this would be our best bet for getting amongst a group that would also be dancing and having fun. As a bonus, it seemed a number of hipsters in this group were gay – no one dances like gay hipsters – jackpot! Cut Copy took the stage, and the sold out crowd went wild. And of course, I was dancing and jumping up and down right in the middle of it all. The show was blast and the band sounded great as they cycled through their hits, both older selections as well as from their newest album, Zonoscope. Who said that hipsters didn’t know how to have a good time?

Approximate Setlist:
Visions
Nobody Lost, Nobody Found
Where I'm Going
Feel the Love
Corner of the Sky
Lights and Music
Take Me Over
Pharaohs & Pyramids
Saturdays
Hearts on Fire
Sun God
Need You Now

Tuesday, March 22, 2011

DeVotchKa, 9:30 Club, Washington, Dc


A unique blend of Eastern European Gypsy, Mariachi, and indie rock with beautiful vocals and a mini- burlesque show

Since discovering them on the Little Miss Sunshine soundtrack (which I now realize was almost five years ago), I’ve been consistently impressed by DeVotchKa, in both their studio releases and live performances. The four-piece multi-instrumental and vocal ensemble fuses Romani, Greek, Slavic, Bolero, and Mariachi music with American rock and folk roots to produce a sound which few other groups can compare. This show, almost unfortunately, wasn’t sold out. I’m consistently surprised that DeVotchKa hasn’t developed more of a following. A Tuesday night in late March at the 9:30 Club would be my second time seeing them at my standard venue and my third time overall (other time was with David Byrne at Wolftrap). Having seen them previously, I was anticipating a good show and looking forward to hearing both old staples as well as live versions of songs from their newest album, 100 Lovers, released earlier in the month.

It was arguably my favorite of any of their performances that I’ve seen, which is remarkable since often second and third performances don’t stack up to the first. Perhaps it had something to do with lead vocalist Nick Urata. For some reason, perhaps the mood I was in, the place I was standing, or the effects that were chosen, the clear highlight of the evening was his enchanting singing. His powerful yet haunting voice sounded amazing as it carried through the small club as he savored each note. His voice was incredible, just incredible. It’s been some time since I’ve been so impressed in a vocal performance, although it probably didn’t hurt Nick’s chances that I was so disappointed with Shane MacGowan’s drunken stammering at the Pogues show the previous week.

The story I’ve heard is that DeVotchKa got their start playing as a backing band to burlesque acts. So another aspect worth mentioning is that they still incorporate some of these elements into their live performances. The last time that I saw them, an area in the audience was cleared so a female acrobat could propel herself up and down a ribbon/cloth/rope during their encore. This time around, they upped the ante a bit, with a pair of acrobats performing throughout the show, including the aforementioned highwire acrobatics as well as some more grounded sensual dancing and rhythmic gymnastics. The whole thing added a fun and unique layer to the performance. Top notch all around.

Approximate Setlist:
The Alley
Head Honcho
Queen of the Surface Streets
Poland
The Clockwise Witness
The Man from San Sebastian
We're Leaving
Vengo! Vengo!
Exhaustible
All the Sand in all the Sea
How It Ends
Basso Profundo
Undone
Contrabanda
I Cried Like A Silly Boy
100 Other Lovers
The Enemy Guns
Only Love Can Break Your Heart
You Love Me
Such a Lovely Thing

Saturday, March 12, 2011

Shamrock Fest, RFK Stadium, Washington, DC


Finally, the sun shines on Shamrock Fest!

Though I had tickets again to Shamrock Fest, I was up in the air about going, mostly because the past several years had been so rainy and miserable. I ended up dumping my VIP tickets and just showing up at the gate without a ticket in hand. Considering the price I paid for my ticket and the cost of beer on the inside, perhaps not the greatest deal, but I was happy to not have feel like I should try to get my money’s worth from a ticket that includes free beer.

None of the acts at Shamrock are ever really that memorable, but it’s just a good excuse to be outside, have a few drinks to celebrate St. Patty’s, and see some live acts. The various Irish bands are always fun, even if they always blur together in my mind, both the more traditional acts as well as the Celtic Fusion ones. Perhaps the highlight of the day was DJ Pauly D, that’s right Jersey Shore Pauly D, though more for just the novelty rather than the DJ set. The set itself was very forgettable as he just spun a few random tracks and talked over them at inopportune times. If nothing else though, it did make me appreciate just how hard it really must be to DJ well. Despite any particularly good acts, it was a nice day to be outside and worth the trip.

Tuesday, March 8, 2011

The Pogues & Titus Andronicus, 9:30 Club, Washington, DC


Getting reved up for St. Patty's with this great Irish fusion band and relative newcomver Titus Andronicus

Titus Andronicus was already on stage when we arrived at the 9:30 Club. Despite the sold out crowd, it was still pretty empty and we were able to make our way fairly close to the stage. I’m a passive fan of Titus Andronicus, liking but not loving their recent albums. While they sounded fine, it was nothing close to what I remembered from their albums. I wondered if knowing their audience and who they were opening for, they opted for a harder, more punk sound. Even for a Tuesday night, much of the crowd was well lubricated and ready to get down. At the slightest hint of a worthy song, about 15 or so guys in the front of the crowd took it upon themselves to start a mosh pit. While we were just far enough back to avoid the chaos, a few other people weren’t quite so lucky and were quite startled. One guy, who didn’t seem to understand that a mosh pit was a distinct possibility when standing close to the stage at a Pogues concert, was visibility angry when someone transferred the contents of his drink to his shirt. Though I feel for the guy, he was standing in the path of a tornado and such has to be expected. All this from a crowd that was amongst the oldest that I’ve ever seen at the 9:30 Club.

The Pogues took the stage and got straight into their typical set, beginning with “Streams of Whiskey.” Frontman Shane MacGowan sauntered on stage with a tumbler full of booze in one hand and a cigarette in the other. These items seldom left his hands throughout the night. He was dressed in sunglasses and a long leather jacket. With his portly, aging, drunken, and disheveled demeanor, he reminded me of a cross between Neo from the Matrix and Willy, a regular at a pub I used to frequent in Dublin who was enough of a staple of the establishment to warrant having his own dedicated bar stool and the clout to occasionally grab the microphone and belt out Irish tunes despite a complete lack of talent. Like Willy’s, Shane’s singing left much to be desired. Though he has always had a gruff and somewhat unique voice, it was just a mumbling shadow of what it once was, with most of his words slurred together and barely intelligible. The only words I could understand were those that I already knew by heart. However, the rest of the large ensemble was spot on in their sound, and I had a great time dancing amongst the crowd. The setlist was exactly what I wanted to hear, including their classic songs “A Pair of Brown Eyes,” “Sunny Side of the Street,” “Thousands Are Sailing,” and “Sally MacLennane” as well as great covers that they’ve made their own such as “Dirty Old Town” and “And the Band Played Waltzing Matilda.” Certainly the highlight of the night for me was “Tuesday Morning,” a song I’ve loved since I first discovered it when I was about 11 years old. So while the concert left a little to be desired, I still certainly enjoyed it and felt that I got my money’s worth. The true test will be if I get tickets when the Pogues come back to help DC kick off St. Patty’s Day next year.

Thursday, February 24, 2011

Galactic, 9:30 Club, Washington, DC

The New Orleans jazz funk troop joined by Cyril Neville and the Rebirth Brass Band

The night started out with the opener, another New Orleans-based band, the Rebirth Brass Band on stage. They were an eclectic mix of players with their own brand of jazz funk. With trombones, trumpets, a tuba, and traditional rock instruments, they were a crew of about 7 or 8 on stage in total. The most memorable was the Mohawk-sporting Celtic punk tubist who flashed the audience to reveal that he wasn’t wearing anything under his kilt as well as the band’s only female member notable because for most of the show she didn’t do anything on-stage except just hang out and occasionally dance and bang a tambourine. She did however supply vocals on a number or two with her own blend of hip hop and soul. The band ended their set parading through the audience, including the upper sections of the venue, a realm I’ve never seen an artist traverse at the 9:30 Club. It’s great feeling like you’ve already gotten your money’s worth after just the opening act.

I’ve only ever been a passive Galactic fan, but have enjoyed parts of their live sets at festivals. So I was looking forward to getting to see a night dedicated to their music. They made us wait a long time before taking the stage, but what we saw was worth it. Each member of the quintet was talented in their own right and as they mixed in their own brand of jazz funk with elements of jam, electronic, world, rock, and blues. Guest vocalist Cyril Neville of the Neville Brothers gave some added context to their jamming with well sung soul verses. His addition was a great choice for their live shows to focus the evening and make their music a little more cohesive. The Rebirth Brass Band was also invited back on stage for a few selections.

Saturday, February 19, 2011

Millennium Music Conference & Showcase, Siamese Sundown, Maddam Ink, & Identity X, Gullifty's Underground, Camp Hill, Pennsylvania


A sampling of hard rock and metal acts from the Millennium Music Conference & Showcase

I headed home to Harrisburg, Pennsylvania to catch a few acts from the Millennium Music Conference and Showcase, a smattering of regional acts that converge on Harrisburg each year. Though a number of venues had bands on Saturday night as part of the showcase, I hadn’t really heard of any of them, so it was a lot of guess work in listening to MP3 samples online to determine where our best bet for the evening would be. I let my brother do the legwork and pick the venue that most interested him, which meant music a little more geared towards heavy metal and hard rock that I typically listen. Nonetheless, I’m always open to seeing new music and experimenting with new genres, so I was looking forward to the night. Michael decided to wear his Mohawk up in full regale for the evening to give us some cred as compared to my button down shirt and hipster glasses.

Gullifty's was nearly empty when we arrived a little before 9 and didn’t ever get that much more crowded as the night wore on. We were treated to 3 acts in the evening – Siamese Sundown, Maddam Ink, and Identity X, in order of appearance. Siamese Sundown was probably the tamest of the group and the least favorite of both Michael and me. Maddam Ink was the hardest, our choice for the most talented musicians and best songwriting as well as our favorite act of the night. The third, though not as talented, was enjoyable and won the prize for the most enthusiastic and best stage presence as they were ecstatic to just be part of the event. The lead guitarist was running through the crowd and jumping through the air for much of the show. It was approaching midnight when we finally left, content that the past 3 hours of music were well worth the $5 cover charge. I also paid my $6 bar tab for the night on the way out. Apparently, Saturday nights classify as happy hour at Gullifty's. I love Harrisburg.

Saturday, February 5, 2011

Chromeo, 9:30 Club, Washington, DC


Even sans Darrel Hall, the electrofunk duo still put on a great show

I returned to the 9:30 Club for my first show in 2011 to see electrofunk duo Chromeo. Everyone in the venue was excited as they all knew how much fun a sold out dance party at the 9:30 Club can be. If there was an opener, I didn’t show up in time to see them, but no matter. As expected, our large group just had a lot of fun dancing and imbibing a few beverages of a spirituous nature. The dance floor was kind of just a hot, sweaty mess, though everyone was a having a great time. Though there was a brief effort to continue the party afterwards at a local bar, it wasn’t much of an effort as there really wasn’t much chance of that any follow up could even compare.

Setlist:
Intro
Don't Turn the Lights On
I'm Not Contagious
Outta Sight
Tenderoni
Call Me Up
Opening Up
Hot Mess
Waiting 4 U
When the Night Falls
Bonafied Lovin'
You're So Gangsta
Night By Night
Momma's Boy
100%
Fancy Footwork
J'ai claquƩ la porte
Needy Girl
Grow Up