Saturday, April 28, 2012

Sweetlife Music Festival, Merriweather Post Pavilion, Columbia, Maryland

 Life is sweet

The Sweetlife Music Festival came to Merriweather Post Pavilion for a second time. The event used the same set up as last year, with all the main acts on a single stage. There were some additional artists performing on a makeshift dance stage behind the lawn, but there wasn’t anything playing that piqued our interest more than what was on the main stage at that time.

We arrived early in the day and secured a great spot on the lawn, low, dead center, with a decent view of the stage and the single jumbotron. There were few others there when we arrived, but Lindsey wanted to see the opening act of the day, fun., the new project of Nate Ruess, former lead singer of the mid-2000’s indie rock band, The Format. They were fresh off their most recent hit album, Some Nights, including the song “We Are Young” that seems to be everywhere recently. They played a short set, with a mix of songs from that recent album as well as from their 2009 debut, Aim and Ignite. It was a solid opening to the day, though they certainly did not own the stage and the crowd. At that hour, it’s hard to tell if it was because of them or just that not too many people where we were sitting were familiar with their music. Perhaps the latter, considering that many people on the lawn were pretty disengaged for the first several sets of the day.

fun. Setlist:
One Foot
Walking the Dog
Why Am I the One
Barlights
Carry On
At Least I'm Not as Sad (As I Used to Be)
We Are Young

Next up was hip hop artist A$AP Rocky. I had heard some of his albums but wasn’t a huge fan, so it was my turn to be disengaged. He also showed up late and played a really short set, only half a dozen songs. It still was not bad for so early in the day. The weather was another story, as it teetered between sun, clouds, and rain. Occasionally it was sunny enough to want for sunglasses, but often overcast and rainy. Unlike last year though, we were well prepared with a tarp and rain gear.

A$AP Rocky Setlist:
Pretty Flacko
Wassup
Purple Swag
Kissin' Pink
Trilla
Peso

Next up were soul/indie pop band Fitz & the Tantrums. The acts were improving as the day went on and frontman (Michael) Fitz(patrick) and one Tantrum, vocalist Noelle Scaggs, put on some sultry moves that engaged the crowd. It was one of those instances where I had to wonder if they got down off stage the way they were onstage.

Fitz & the Tantrums Setlist:
Don't Gotta Work It Out
Wake Up
Breakin' the Chains of Love
Pickin' Up the Pieces
Winds of Change
Sweet Dreams (Are Made of This)
She's Out of My League
Rich Girls
Dear Mr. President
L.O.V.
News 4 You
MoneyGrabber

Following the Tantrums were Austin-based post rock instrumentalists Explosions in the Sky, the set of the day that I was the most excited for. Unfortunately, it was a sentiment that was not shared by others in our immediate vicinity, including some guy who decided to belittle their chosen genre throughout much of the set. I really wished that we would have ventured from the lawn down into the pit for their set in order to get a little more involved in the music. Nonetheless, they picked a good set list considering their extensive catalogue and the power and intricacies of their music was still enjoyable even out on the lawn. I guess I’ll cross them of my bucket list, but I’m certainly look to see them again sometime soon in a better setting.

Explosions in the Sky Setlist:
Catastrophe and the Cure
Postcard From 1952
The Birth and Death of the Day
Let Me Back In
Your Hand in Mine
The Only Moment We Were Alone

By the time indie rock icons The Shins took the stage, the rain was coming down hard. I had gore-texed myself from head to toe and Lindsey had covered herself in a tarp. Frontman James Mercer was the clear star of the show and reached deep into his catalogue, playing songs that encompassed his fifteen years with the band, a lot of which made me realize just how many The Shins songs I didn’t know. Sets were getting longer and more excited attendees were showing up.

The Shins Setlist:
Kissing the Lipless
Mine's Not a High Horse
Simple Song
Bait and Switch
Australia
Pam Berry
Phantom Limb
The Rifle’s Spiral
Saint Simon
So Says I
No Way Down
Caring Is Creepy
New Slang
Port of Morrow
One by One All Day
Sleeping Lessons

Kid CuDi was another act on my bucket list that I would get to cross of my list that evening. He took the stage late, but came out to thunderous applause. It was clear that a new group of people had finally shown up, as our comfortable lawn setting had completely disappeared as throngs of people flooded the lawn in anticipation of CuDi. It wasn’t long before we decided to move further back to have a little more room. Though I still like his beats, lyrics, and style, his self-aggrandizing onstage presence was like any typical hip hop act. He cycled through a medley though towards the end in which he asked everyone to dance the entire time, which was a bit different and a lot of fun.

Kid CuDi Setlist:
REVOFEV
Scott Mescudi vs the World
Soundtrack 2 My Life
GHOST!
Mojo So Dope
We Aite (Wake Your Mind Up)
Marijuana
Solo Dolo (Nightmare)
Up Up & Away
Man on the Moon (The Anthem)
Erase Me
Mr. Rager
CuDi Zone
Memories
Pursuit of Happiness (Nightmare)

Though there were still people shuffling into the venue for the final act of the night, AVICII, we had decided that we had enough fun for one day, considering how long we had been on the lawn and the less than ideal weather. At least we could beat the traffic.

Tuesday, April 17, 2012

Mayer Hawthorne & the County, 9:30 Club, Washington, DC

The soul of Motown comes east

It was a night for some Motown soul. I had seen Mayer Hawthorne a few times before including at a festival and his last time in DC at the Black Cat. I knew he always puts on a solid performance so I was looking forward to seeing him again. I was also there with Jesse, a friend from Michigan who was excited to some music from his roots. Mayer Hawthorne just has a beautiful voice and incredible range, reaching the highest of notes with seemingly little effort. His voice is matched with great Motown style, both musically and visually. He played his usual but solid setlist, including mostly originals and a few interesting covers by Busta Rhymes, Hall & Oates, and Lee Dorsey as well as “Just Ain't Gonna Work Out”, an original song, but one that’s so Motown soul that I could swear that it must have been penned in a few decades ago.

Setlist:
Can't Stop (Tease)
The Walk
Make Her Mine
Dreaming
Your Easy Lovin' Ain't Pleasin' Nothin'
One Track Mind
Stick Around
Do My Thing
No Strings
Shiny and New
I Wish It Would Rain
You Make My Dreams Come True
A Long Time
Finally Falling
Green Eyed Love
A Strange Arrangement
Get Out Of My Life Woman
Just Ain't Gonna Work Out
Hooked
You Called Me
Maybe So, Maybe No
The Ills
Henny and Gingerale

Sunday, April 1, 2012

Bruce Springsteen & the E Street Band, Verizon Center, Washington, DC

The Boss brings it

Though our group of a half dozen was split up throughout Verizon Center, Schiz and I had some good seats in the 100 section for the DC Bruce show, at about center ice and perhaps a dozen rows from the floor. I thought they were pretty good seats considering how popular the Boss is and how quickly the tickets sold out. They were pricey seats and considering that I had seen Bruce less than two years ago, and at Bonnaroo of all places, where he jammed with Phish, I was still debating whether the show was worth the price of admission as we were taking our seats. Bruce was really going to have to bring in order to impress me.

Without an opening act, Bruce Springsteen & the E Street band took the stage, playing a healthy mix of old and new songs, including a few solid tunes from the new album, “We Take Care of Our Own” and “Wrecking Ball.” Even within the first few songs, I was already convinced that the show was going to be worth the money. Man did Bruce bring it! I don’t know how else to say it other than that he and the rest of the E Street Band just rock so hard and for so long. Sometimes I just couldn’t believe the kind of energy that they’re able to bring each and every night after all these years.

He played a lot from the new album, which was fine with me considering that I think it’s his best since 2002’s The Rising. However, he also played a bunch of his more modern, minor hits, like “Waiting on a Sunny Day” and “The Rising” in addition to staples towards the end. I was also happy to hear his version of “Because the Night”, which I fairly recently learned was actually written by him, and “American Skin (41 Shots)”, one of my favorite Bruce songs, but one I never thought had received a lot of in-concert playing time, perhaps because it was somewhat controversial.


His encore alone consisted of half a dozen songs. When “Born to Run” was the third, I thought he would definitely end it on that note, but then, boom, “Dancing in the Dark.” Afterwards he even played two more, finally ending on “Tenth Avenue Freeze Out.” The entire show was just under three hours. Bruce earned every penny of my admission price.

Setlist:
We Take Care of Our Own
Wrecking Ball
Night
Death to My Hometown
My City of Ruins
Seaside Bar Song
Does This Bus Stop At 82nd Street?
Jack of All Trades
Trapped (Jimmy Cliff Cover)
Adam Raised a Cain
Easy Money
She's the One
Waitin' on a Sunny Day
The Promise
Apollo Medley (The Way You Do the Things You Do/634-5789)
American Skin (41 Shots)
Because the Night
The Rising
We Are Alive
Thunder Road
Encore:
Rocky Ground
Out In the Street
Born to Run
Dancing in the Dark
Land of Hope and Dreams
Tenth Avenue Freeze-Out